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    <title>We came. We saw. We Spoke.</title>
    <link>http://www.spokehq.com/ee/index.php/site/index/</link>
    <description></description>
    <dc:language>en</dc:language>
    <dc:creator>gene@spokehq.com</dc:creator>
    <dc:rights>Copyright 2010</dc:rights>
    <dc:date>2010-06-06T02:01:01+00:00</dc:date>
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    <item>
      <title>The Fortune 100: When Bigger Isn&#8217;t Better</title>
      <link>http://www.spokehq.com/blog/permalink/the_fortune_100_when_bigger_isnt_better/</link>
      <guid>http://www.spokehq.com/blog/permalink/the_fortune_100_when_bigger_isnt_better/#When:02:01:01Z</guid>
      <description><![CDATA[<p><b><i>Quick hit:</i></b> If there&rsquo;s any correlation between the capitalization of a company and its online brand presence, it boils down to: &ldquo;We can afford to look ugly.&rdquo; At least that&rsquo;s the conclusion we drew during a study of websites of the <a href="http://money.cnn.com/magazines/fortune/fortune500/2010/full_list/" target="_blank">Fortune 100</a> we conducted while stimulating thought for a new project. The web is awash with <a href="http://www.patterntap.com" target="_blank">sites</a> that showcase design in order to inspire pro and amateur alike, but they never display the inspirational work of/for large multi-nationals, because, well... there isn&rsquo;t any. </p>

<p>Sorta.</p>

<p>Kudos to those Fortune 100 companies who dare to be different (noted by an asterisk in the list below) and push the rest of us to think harder about what a website should be.</p>

<p>
1. <a href="http://www.walmart.com/" target="_blank">Wal-Mart</a> <br />
2. <a href="http://www.exxonmobil.com/" target="_blank">Exxon Mobile</a><br />
3. <a href="http://chevron.com/" target="_blank">Chevron</a><br />
4. <a href="http://www.gm.com/" target="_blank">General Motors</a><br />
5. <a href="http://www.conocophillips.com" target="_blank">ConocoPhillips</a><br />
6. <a href="http://www.ge.com/" target="_blank">General Electric*</a><br />
7. <a href="http://www.ford.com/" target="_blank">Ford*</a><br />
8. <a href="http://www.citi.com/domain/index.htm" target="_blank">Citigroup</a><br />
9. <a href="https://www.bankofamerica.com/" target="_blank">Bank of America</a><br />
10. <a href="http://www.att.com/" target="_blank">AT&amp;T</a><br />
11. <a href="http://www.berkshirehathaway.com/" target="_blank">Berkshire Hathaway</a><br />
12. <a href="http://www.jpmorganchase.com/" target="_blank">JP Morgan Chase</a><br />
13. <a href="http://www.aig.com/" target="_blank">AIG</a><br />
14. <a href="http://www.hp.com/" target="_blank">Hewlett-Packard</a><br />
15. <a href="http://www.ibm.com/us/en/" target="_blank">IBM</a><br />
16. <a href="http://www.valero.com/" target="_blank">Valero Energy</a><br />
17. <a href="http://www22.verizon.com/" target="_blank">Verizon</a><br />
18. <a href="http://www.mckesson.com/en_us/McKesson.com/" target="_blank">McKesson</a><br />
19. <a href="http://www.cardinal.com/" target="_blank">Cardinal Health</a><br />
20. <a href="http://www2.goldmansachs.com/" target="_blank">Goldman Sachs*</a><br />
21. <a href="http://www.morganstanley.com/" target="_blank">Morgan Stanley</a><br />
22. <a href="http://www.homedepot.com/" target="_blank">Home Depot*</a><br />
23. <a href="http://www.pg.com/en_US/index.shtml" target="_blank">Procter &amp; Gamble</a><br />
24. <a href="https://www.caremark.com/wps/portal" target="_blank">CVS Caremark</a><br />
25. <a href="http://www.unitedhealthgroup.com/main/default.aspx" target="_blank">United Health Group</a><br />
26. <a href="http://www.kroger.com/" target="_blank">Kroger</a><br />
27. <a href="http://boeing.com/" target="_blank">Boeing</a><br />
28. <a href="http://www.amerisourcebergen.com/" target="_blank">AmerisourceBergen</a><br />
29. <a href="http://www.costco.com/" target="_blank">Costco</a><br />
30. <a href="http://ml.com/" target="_blank">Merrill Lynch</a><br />
31. <a href="http://www.target.com/" target="_blank">Target</a><br />
32. <a href="http://www.statefarm.com/" target="_blank">State Farm*</a><br />
33. <a href="http://wellpoint.com/" target="_blank">WellPoint</a><br />
34. <a href="http://www.dell.com/" target="_blank">Dell</a><br />
35. <a href="http://www.jnj.com/" target="_blank">Johnson &amp; Johnson</a><br />
36. <a href="http://www.marathon.com/" target="_blank">Marathon Oil</a><br />
37. Lehman Brothers &mdash Bankrupt, 2008<br />
38. <a href="https://www.wachovia.com/" target="_blank">Wachovia</a><br />
39. <a href="http://www.utc.com/utc/home.html" target="_blank">United Technologies</a><br />
40. <a href="http://www.walgreens.com/" target="_blank">Walgreens</a><br />
41. <a href="https://www.wellsfargo.com/" target="_blank">Wells Fargo</a><br />
42. <a href="http://www.dow.com/" target="_blank">Dow Chemical</a><br />
43. <a href="http://www.metlife.com/" target="_blank">MetLife</a><br />
44. <a href="http://www.microsoft.com/en/us/default.aspx" target="_blank">Microsoft</a><br />
45. <a href="http://www.searsholdings.com/" target="_blank">Sears Holdings</a><br />
46. <a href="http://www.ups.com/" target="_blank">UPS</a><br />
47. <a href="http://pfizer.com/" target="_blank">Pfizer*</a><br />
48. <a href="http://www.lowes.com/" target="_blank">Lowe&rsquo;s*</a><br />
49. <a href="http://www.timewarner.com/corp/" target="_blank">Time Warner</a><br />
50. <a href="http://www.cat.com/" target="_blank">Caterpillar</a><br />
51. <a href="http://www.medco.com/" target="_blank">Medco Health Solutions</a><br />
52. <a href="http://www.adm.com/" target="_blank">ADM</a><br />
53. <a href="http://www.fanniemae.com/index.jhtml" target="_blank">Fannie Mae</a><br />
54. <a href="http://www.freddiemac.com/" target="_blank">Freddie Mac</a><br />
55. <a href="http://www.safeway.com/" target="_blank">Safeway</a><br />
56. <a href="http://www.sunocoinc.com/site" target="_blank">Sunoco</a><br />
57. <a href="http://www.lockheedmartin.com/" target="_blank">Lockheed Martin</a><br />
58. <a href="http://www.sprint.com/index.html" target="_blank">Sprint*</a><br />
59. <a href="http://www.pepsico.com/" target="_blank">PepsiCo</a><br />
60. <a href="http://www.intel.com/" target="_blank">Intel</a><br />
61. <a href="http://www.altria.com/" target="_blank">Altria Group</a><br />
62. <a href="http://www.supervalu.com/" target="_blank">Supervalu</a><br />
63. <a href="http://www.kraftfoods.com/" target="_blank">Kraft Foods*</a><br />
64. <a href="http://allstate.com/" target="_blank">Allstate</a><br />
65. <a href="http://www.motorola.com/us" target="_blank">Motorola</a><br />
66. <a href="http://www.bestbuy.com/" target="_blank">Best Buy</a><br />
67. <a href="http://disney.go.com/index" target="_blank">Walt Disney*</a><br />
68. <a href="http://fedex.com/" target="_blank">FedEx</a><br />
69. <a href="http://www.ingrammicro.com/" target="_blank">Ingram Micro</a><br />
70. <a href="http://sysco.com/" target="_blank">Sysco</a><br />
71. <a href="http://www.cisco.com/" target="_blank">Cisco Systems</a><br />
72. <a href="http://www.johnsoncontrols.com/" target="_blank">Johnson Controls*</a><br />
73. <a href="http://www51.honeywell.com/honeywell/" target="_blank">Honeywell International</a><br />
74. <a href="http://www.prudential.com/" target="_blank">Prudential Financial*</a><br />
75. <a href="https://home.americanexpress.com/home/mt_personal.shtml?" target="_blank">American Express</a><br />
76. <a href="http://www.northropgrumman.com/" target="_blank">Northrop Grumman</a><br />
77. <a href="http://www.hess.com/" target="_blank">Hess</a><br />
78. <a href="http://www.gmacfs.com/" target="_blank">GMAC</a><br />
79. <a href="http://www.comcast.com/" target="_blank">Comcast</a><br />
80. <a href="http://www.alcoa.com/" target="_blank">Alcoa</a><br />
81. <a href="http://www2.dupont.com/" target="_blank">DuPont</a><br />
82. <a href="http://www.newyorklife.com/" target="_blank">New York Life Insurance</a><br />
83. <a href="http://www.coca-cola.com/index.jsp" target="_blank">Coca Cola</a><br />
84. <a href="http://www.newscorp.com/" target="_blank">News Corporation</a><br />
85. <a href="http://www.aetna.com/index.htm" target="_blank">Aetna</a><br />
86. <a href="http://www.tiaa-cref.org/" target="_blank">TIAA-CREF</a><br />
87. <a href="http://www.generaldynamics.com/" target="_blank">General Dynamics</a><br />
88. <a href="http://www.tyson.com/" target="_blank">Tyson Foods</a><br />
89. <a href="http://www.hcahealthcare.com/" target="_blank">HCA</a><br />
90. <a href="http://www.enterprisegp.com/" target="_blank">Enterprise GP Holdings</a><br />
91. <a href="http://www.macys.com/" target="_blank">Macy&#8217;s</a><br />
92. <a href="http://delphi.com/" target="_blank">Delphi</a><br />
93. <a href="http://www.travelers.com/" target="_blank">Travelers</a><br />
94. <a href="http://www.libertymutual.com/" target="_blank">Liberty Mutual</a><br />
95. <a href="http://www.thehartford.com/" target="_blank">Hartford Financial Services</a><br />
96. <a href="http://www.abbott.com/" target="_blank">Abbott Labs</a><br />
97. <a href="https://www.wamu.com/" target="_blank">Washington Mutual</a><br />
98. <a href="http://www.humana.com/" target="_blank">Humana</a><br />
99. <a href="http://www.massmutual.com/" target="_blank">Massachusetts Mutual Life Insurance</a><br />
100. <a href="http://www.3m.com/" target="_blank">3M</a><br />
</p>
<p>Notice anything missing? We made this list in late 2008. It takes time to rework a list of this length in HTML, and we only dust it off on rare occasions. Someday we&rsquo;ll get around to doing that, but until then, please note that <a href="http://www.apple.com" target="_blank">Apple</a> (by far our favorite Fortune 100 site) is now #56 on the 2010 Fortune 100 list after only reappearing the prior year.</p>

<p>So, what do <i>you</i> think? Why are the websites of so many of these companies so embarrassingly bad? <i>*ahem*</i> General Dynamics.</p>]]></description>
      <dc:subject>Commentary, Design</dc:subject>
      <dc:date>2010-06-06T02:01:01+00:00</dc:date>
    </item>

    <item>
      <title>Long Live Email Marketing!</title>
      <link>http://www.spokehq.com/blog/permalink/long_live_email_marketing/</link>
      <guid>http://www.spokehq.com/blog/permalink/long_live_email_marketing/#When:19:09:15Z</guid>
      <description><![CDATA[<p><i><b>Editor&#8217;s Note:</b> Spoke client and Grande Dame of marketing at OneCommand, Lindsay Leugers, steps lively through the good fight of email marketing. Ignored by many, despised by some, email has become the marketing channel we love to hate. It&rsquo;s time to vanquish the foes of this venerable tool and put its virtues to work for good instead of evil.</i>
</p><hr style="height: 1px;"></hr><p>Here&rsquo;s a fact: email is a formidable marketing vehicle. It has not been squashed by spam legislation, it hasn&rsquo;t been made obsolete by blog posts or tweets or text messages. Even the explosion of mobile and social channels hasn&rsquo;t wreaked the havoc on email touted by some. Email is, however, fighting for its rightful place in today&rsquo;s ever-changing online marketplace. This means that marketers who leverage email must do so more thoughtfully than ever before. Although the overall spend on email marketing pales in comparison to other media channels, the returns achieved consistently outperform these same media. To keep that trend going, it&rsquo;s imperative we build strategies that prevent us from simply blasting out bland content because it&rsquo;s fast and cheap.</p>

<p>Our approach should evolve over time and address the changing climate of the channel as well as the needs of our unique audiences. We engage in email marketing because it works. Period. Here are some tips to get even better results from your own campaigns:</p>

<p><b>Target.</b><br /> 
Whether targeting current clients or prospects, there are many unique segments within these groups. Take common demographics for example. You should know which age groups purchase which products. You should know which regions you&rsquo;ve penetrated with which products. You should know which gender responds best to which incentives. In these cases, knowledge is power. Using this intelligence, you should be able to target different segments of your subscribers with unique campaigns that call attention to what is most relevant to them &mdash; be it regionalized content, special coupons or overall design.</p>

<p>At <a href="http://www.onecommand.com/" target="_blank">OneCommand,</a> for example, our entire email marketing strategy is rooted in recognizing the uniqueness of each of our clients. Since the majority of our customers are in the automotive retail market, we pay close attention to things like dealership franchise, location, the DMS and CRM they use, and even the sales and service volume of the store. These details help us deliver content that is specific and relevant &mdash; whether that involves sharing local or regional news and events content, or offering tips on how our solutions work with others the client already has in place.</p>

<p><b>Test.</b><br />
Take the time to measure the variables that make your campaign more, or less, effective. Play with the subject line, the sending email address, the reply to address, links offered, the actual email content itself, more images and less copy vs. fewer images and more news articles, etc. Then, measure the differences to identify which is more effective. The best email marketing solutions will let you do this in real-time with A/B split testing features. Such a system will enable the delivery of essentially two different versions of your email based on the previously mentioned variables to a percentage of the total recipient list. Then, it will let you specify a time frame for the test, monitor the performance of each version, decide the more effective of the two and deliver the remainder of the emails accordingly.</p> 

<p>In my opinion, <a href="http://www.campaignmonitor.com/" target="_blank">Campaign Monitor*</a> offers one of the best email solutions out there. I&rsquo;m especially enamored with their testing features. In fact, I&rsquo;ve developed a bit of an addiction. I perform A/B split testing at least once a week with different versions of the weekly news, tips and tricks we deliver to our current customers. Doing so has helped us to deliver more intelligently and has also opened up a bit of healthy competition amongst members of our marketing team. Doesn&rsquo;t seem like placing bets on whether “A” will smoke “B” or vice versa would be all that fun, but I dare you to try it. Just this past week I closed my door and quietly did a victory dance to celebrate when a message delivered from me as the sender beat out the one coming from our CEO. What can I say? It&rsquo;s the little things.</p>

<p><b>Measure.</b><br />
The spectrum of open, click, bounce and unsubscribe rates is wide. Knowing where your campaigns stand on each of these fronts is critically important, but what long-term value does this information provide? Think about a monthly newsletter campaign. From your standard report, you may learn that 33% of your recipients opened the email, but how does this compare to the rate you measured last month or last year? You should be using these measurements to better understand your progress over time. Your email marketing tools should allow you to select campaigns to compare &mdash; helping to give you a better view of your rates and their improvement from, say, one month to the next. Armed with that information, you&rsquo;ll then be ready to drill down into analyzing what made the difference such as time and day of send, subject, etc.</p>

<p>Measuring also helps you to predict trends. For example, this time last year, when the auto industry was facing its worst year in recent history, we lost a good deal of our customer base due to store closings, budget cuts and consolidation. Because I look at our subscriber list performance over time on a regular basis, I could see the writing on the wall. Our subscriber count was on its way to a big dip. To stem the loss, we introduced a weekly publication that offered best practice insights that were not necessarily linked to the use of OneCommand solutions. Instead, our new publication offered helpful bite-size treats in the form of general best practices and trends sprinkled with a little peer commentary. Though we did certainly see a decrease across our lists, the new subscribers we signed, and those we were able to retain with the new pub into, helped offset the losses.</p>

<p><b>Listen.</b><br />
Give your subscribers a voice. Trust me, they have one and they will use it when prompted. Care about and respond to what they have to say, especially in terms of their subscription preferences. If you&rsquo;ve not already established a way to pass control to the subscriber to manage their subscription—from the email address they provide you to the selection of campaigns or content types they wish to receive—you&rsquo;re missing a critical piece of the email marketing puzzle. Recipients are far more likely to open, read and respond to a campaign that they&rsquo;ve expressed interest in receiving. They appreciate being able to control what they receive instead of having only the age-old &ldquo;subscribe or unsubscribe&rdquo; options. Many email marketing engines will include the setup of a preference center for your subscribers that feeds directly back to your subscription lists &mdash; take advantage!</p>

<p>The idea of preference management is baked into OneCommand solutions, but it wasn&rsquo;t something that we&rsquo;d spent much time on in terms of our own marketing strategy. Until now. At OneCommand, we send a lot of email. We send weekly publications, monthly newsletters, system notifications, account management outreach, feature announcements, new staff introductions… the list goes on. We needed a solution that helped us manage the fact that not everyone wants everything. The preference center feature built into Campaign Monitor fits this bill perfectly.</p>

<p><b>Viva la...!</b><br />
In summary, as marketers we have to take the time to really understand how this channel is most effective for our specific goals and objectives, and most importantly for our subscribers. I challenge that email marketing has become so second nature for most of us that we rarely give the measurements or the opportunities for improvement the attention they deserve. Change that today. Take stock of your efforts and your measure of success. Once you&rsquo;ve done that and you feel good about your overall progress and go-forward strategy, think about mobile and social and how those exponentially growing channels can help your email make an even bigger splash.</p> 
<hr style="height: 1px;"></hr>

<p><i>*Disclosure: Spoke is a proud user of Campaign Monitor. Many of our clients use it with exuberant glee daily.</i></p><br />

<p><i><b>Follow up:</b> We recently stumbled upon this piece on the <a href="http://litmusapp.com/blog/two-seconds?utm_medium=email&utm_source=Email&utm_content=335929371&utm_campaign=Julynewsletter-VersionA&utm_term=Readthefullstudy" target="_blank">Litmus blog.</a> We found the numbers interesting and slightly alarming. Still, we know first-hand that you can improve your campaign success rate by following the suggestions in Lindsay&rsquo;s post above and <a href="http://www.campaignmonitor.com/resources/" target="_blank">others.</a> You might even consider using the <a href="http://litmusapp.com/email-previews" target="_blank">Litmus toolset</a> for testing your campaigns.<br /><br />By the way, we&rsquo;re not endorsing Litmus. Not because we don&rsquo;t like it, but because we have&rsquo;t tried it... yet.</i></p><br />]]></description>
      <dc:subject>Guest Bloggers, Marketing</dc:subject>
      <dc:date>2010-05-28T19:09:15+00:00</dc:date>
    </item>

    <item>
      <title>Three Elements of Effective Social Engagement</title>
      <link>http://www.spokehq.com/blog/permalink/three_elements_of_effective_social_engagement/</link>
      <guid>http://www.spokehq.com/blog/permalink/three_elements_of_effective_social_engagement/#When:19:42:06Z</guid>
      <description><![CDATA[<p><i><b>Editor&rsquo;s note:</b> Mark Pannell is a freelance social media consultant and occasional Spoke troublemaker. Kind of like the little brother we're glad we never had. In his nearly 35 years on this planet, Mark has spent time in the music industry, managed big box retail stores, and most recently, guided social media strategy at a creative marketing agency. In 1996, Mark was dubbed "Minister of Propaganda" by the drummer of the Detroit rock band Sponge. He's spent the last 14 years living up to that moniker.</i></p>

<hr style="height: 1px;"></hr>

<p>Social Media Rock Stars. Digital Media Evangelists. Social Engagement Gurus. No matter what self-assigned fancy title is applied, this role can be simplified down to two words: conversation starter. If I&rsquo;m doing my job right, this very blog post should spurn its own conversation in the form of comments below.</p>

<p>At the dawn of the internet, millions were made on the ability to create a website. A thorough knowledge of HTML was akin to being an early investor in Google. Today, the superheroes of the web are individuals with the ability to… get this… <i>talk</i> to people.</p>

<p>An entire field of work sprouted up around a little blue bird and a scrawny millionaire. And many practitioners of the craft have a single, unifying battle cry: &ldquo;You&rsquo;re doing it wrong.&rdquo; What they&rsquo;re really saying is, &ldquo;You&rsquo;re doing it wrong. I know how to do it right. Let&rsquo;s get down to brass tacks. Send a P.O. now!&rdquo;</p>

<p>The business cards in my pocket read &ldquo;Social Media Strategist.&rdquo; Yes, I&rsquo;ve ridden on the wings of a little blue bird and developed a violently allergic reaction to whales. I&rsquo;m a proponent of social engagement.  I&rsquo;m also a very big critic of the craft.</p>

<p>This advantageous case of multiple personality disorder makes me stand back and assess my own strategies and beliefs. &ldquo;You&rsquo;re doing it wrong&rdquo; is an arrogant mantra for elitists. Let&rsquo;s try, &ldquo;There are aspects of your social engagement strategy which could use some improvement. Let&rsquo;s take a look at three of them.&rdquo; Yeah, it doesn&rsquo;t have the same ring. I&rsquo;ll work on that.</p> 

<p><b>One: Social Engagement Doesn&rsquo;t Have a URL</b><br />
Social engagement is an attitude. It doesn&rsquo;t reside on Facebook, Twitter, or any other platform. It can <i>exist</i> there, but not as a standalone entity. In its purest form, it&rsquo;s simply part of an organization&rsquo;s culture. The company that we social media types all love to reference is Zappos. By now, I&rsquo;m sure most of you have heard the &ldquo;I Heart Zappos&rdquo; story. It&rsquo;s become the stuff of legends.</p>

<p>The tale that we all adore and have taken creative liberties with over the years is the  <a href="http://www.getelastic.com/good-customer-service-still-the-best-word-of-mouth-marketing-strategy/" target="_blank">Zaz LaMarr</a> story. In short, Zaz ordered a pair of shoes from Zappos. She requested a return and meant to send them back, but her mother passed away in the interim. At the risk of making my own creative enhancements to the story, I&rsquo;ll let Zaz tell the rest:</p>

<p><i>&ldquo;In May we had ordered several pairs of shoes from Zappos for my mom. She&rsquo;d lost a lot of weight, and her old shoes were all too big. She had a whole new wardrobe of clothes in pretty colors that fit, so I wanted her to have some pretty shoes that fit, too, when I took her up to Oregon to stay where her sister is. Out of seven pairs, only two fit. Not bad considering she&rsquo;d never been this thin, so I was winging it, and the return shipping is free.
The rest were here waiting to be returned. Because of various circumstances – lost label, my mom being hospitalized and me being away, the shoes were never sent back. There&rsquo;s a time limit on the return of 15 days. Remember this. When you do a return to them, they pay the shipping, but you have to get the shoes to UPS yourself. Remember this, also.</p>

<p>When I came home this last time, I had an email from Zappos asking about the shoes, since they hadn&rsquo;t received them. I was just back and not ready to deal with that, so I replied that my mom had died but that I&rsquo;d send the shoes as soon as I could. They emailed back that they had arranged with UPS to pick up the shoes, so I wouldn&rsquo;t have to take the time to do it myself. I was so touched. That&rsquo;s going against corporate policy.</p>

<p>Yesterday, when I came home from town, a florist delivery man was just leaving. It was a beautiful arrangement in a basket with white lilies and roses and carnations. Big and lush and fragrant. I opened the card, and it was from Zappos. I burst into tears. I&rsquo;m a sucker for kindness, and if that isn&rsquo;t one of the nicest things I&rsquo;ve ever had happen to me, I don&rsquo;t know what is.&rdquo;</i></p>

<p>I can&rsquo;t think of a better definition of social engagement than that story. There was a personal connection between a brand and a customer; a connection that transformed that customer into a brand advocate for life. Now, here&rsquo;s the kicker: What social network was used to reach that customer?
Zappos is so well-known for their outstanding service and dedication to customer satisfaction, and the story above is so frequently associated with social media, that we forget that no social networks were involved.</p>

<p>Here&rsquo;s something you might not know about Zappos: All new employees are required to go through a four week customer loyalty program. Two of those weeks are spent in a call center, working directly with their customers. At the end of the four week training period, new employees are offered $2,000 to quit&mdash;to walk away from the job, no strings attached. They want to ensure that their employees are there for the love of the job, not just the money. The success that Zappos has achieved in the social space is a reflection of their culture.</p>

<p>If Twitter and Facebook went the way of the dinosaur tomorrow, that level of engagement would persist. How many companies can say that? An effective social presence is not dependent upon any one platform or combination of platforms. It&rsquo;s an extension of an organization&rsquo;s culture, online and off.</p>

<p><b>Two: Viewing &ldquo;Community&rdquo; Realistically</b><br />
Quite possibly the most overused word since the dawn of social media marketing, &ldquo;community&rdquo; has become an ambiguous term used to describe various groups of people. As a point of reference, let&rsquo;s look at the definition of the word:</p>

<p><i>A social, religious, occupational, or other group sharing common characteristics or interests and perceived or perceiving itself as distinct in some respect from the larger society within which it exists.</i></p>

<p>That sounds an awful lot like another word that gets thrown around often: demographic. Before this section gets written off as cynicism, let me point out that online social communities are a wonderful thing, even those built around a brand. Some organizations value their customers&rsquo; opinions, love to address issues head-on, and do a fantastic job of rewarding loyalty to the brand.</p>

<p>The danger of &ldquo;community&rdquo; comes from blurring the lines between a <i>real</i> community and your organization&rsquo;s Facebook fan page. When was the last time a member of your company&rsquo;s online community invited you to a neighborhood cookout? To their son&rsquo;s bar mitzvah?</p>

<p>If Moneybags McGillicutty&rsquo;s House of Widgets was given an absolute guarantee, beyond a reasonable doubt, that none of their Facebook fans (or &ldquo;Likers&rdquo; now, I guess) would ever buy one of their products again, how much longer would that community be actively managed?</p>

<p>Pretending that your presence in the social space isn&rsquo;t a method to raise brand awareness and, ultimately, increase sales is not transparency; it&rsquo;s delusional thinking. Going back to Zappos, they publicly share their revenue successes and repeat buyer statistics. Their social community understands that the company would very much like for them to buy shoes from Zappos.</p>

<p>Consumers are intelligent enough to know that their favorite brands on Facebook want them to purchase their products. Real transparency is rooted in honesty. I&rsquo;m certainly not advocating the use of social networks solely as a broadcast advertising medium. Just accept and respect the fact that people know why you&rsquo;re there.</p>

<p><b>Three: Grand Openings vs. Soft Openings</b><br />
Recently, Lee Odden from the <a href="http://www.toprankblog.com/" target="_blank">Online Marketing Blog</a> reached out to 40 thought leaders in the industry to get their thoughts on <a href="http://www.toprankblog.com/2010/04/social-media-strategy-tactics/" target="_blank">Social Media Strategy Before Tactics.</a> A wide range of opinions were offered and the piece spurred an <i>offline</i> discussion between me and Head Spoker, Gene Powell. Initially, I fought tooth and nail for the merits of strategy leading tactics. But my history in retail management bubbled to the surface and quickly swayed my opinion into Gene&rsquo;s corner.</p>

<p>Retailers love grand openings. They make huge events out of them. There&rsquo;s face painting for the kids, pseudo-celebrities signing autographs, outrageous deals, and frequent giveaways. They throw their doors open and welcome the community to come see what they have to offer.
Many companies approach their arrival in the social space the same way. They invest thousands of dollars on Facebook fan page tabs, launch traditional advertising campaigns to promote their new presence, and print the URL&rsquo;s on anything that doesn&rsquo;t move. If we build it, they will come.
Have you ever stopped by a new store a couple days before their grand opening? You might just find that they&rsquo;re open. Experienced retailers understand the importance of a &ldquo;soft opening.&rdquo; They quietly open shop to a much smaller crowd. Sometimes it&rsquo;s in the form of a &ldquo;friends and family&rdquo; event. Sometimes they invite other local businesses to visit first. And still others just open the doors and see what happens.
The soft opening is a way to determine just how ready their staff is to accommodate business, what customers think of the atmosphere, and what last minute tweaks need to be made before the gala event to come. Any business new to the social space could learn from the soft opening method. Allowing strategy to lead tactics is fine if you&rsquo;re 100% confident that the strategy will be effective. But is that ever a guarantee?</p>

<p>What&rsquo;s wrong with setting up a minimalist Twitter profile or Facebook fan page to observe how your community will interact? More importantly, how will <i>you</i> respond? This &ldquo;soft opening&rdquo; approach might just reveal some surprises before thousands of dollars are spent on strategy.
These types of discussions are often boiled down to, &ldquo;Which came first, the chicken or the egg?&rdquo; Is a massive strategy developed to attract thousands of fans and followers? Or is the community built on a grassroots campaign and the strategy developed around what was learned during that process? It&rsquo;s not the most exciting option, but more businesses (and the gurus they hire) could benefit from following the latter approach. There&rsquo;s always time for a grand opening later.</p>

<p><b>Four: There is no four.</b><br />
Not long ago, a friend of mine posted a picture of his grandfather&rsquo;s automotive repair shop from the 1940&rsquo;s. His business was successful and he was respected within his community. The children in the neighborhood also knew that if their bicycles were broken, he would fix them. And he did it for free. Why? It was the right thing to do.</p>

<p>That same logic speaks volumes about a company in the digital era. The difference is that word travels exponentially faster and farther today than it did in the 1940&rsquo;s. Understanding that social engagement is platform-agnostic, that your communities are your customers, and that there&rsquo;s nothing wrong with gradually entering this space can have a positive long-term impact on the perception of your brand. And maybe, from time to time, forget about ROI for a moment and do things just because they&rsquo;re the right thing to do.</p>]]></description>
      <dc:subject>Branding, Guest Bloggers, Social Media</dc:subject>
      <dc:date>2010-04-30T19:42:06+00:00</dc:date>
    </item>

    <item>
      <title>Progressive Enhancement &amp;amp; Graceful Degradation</title>
      <link>http://www.spokehq.com/blog/permalink/progressive_enhancement_graceful_degradation/</link>
      <guid>http://www.spokehq.com/blog/permalink/progressive_enhancement_graceful_degradation/#When:04:25:45Z</guid>
      <description><![CDATA[<p><i>Progressive enhancement</i> and <em>graceful degradation</em> are not two forces opposed to each other, but are both ways of preparing your sites so that no matter what user agent (desktop, mobile device, etc) or browser version, your site visitors will have access to the content while keeping your code on the bleeding edge of technology. There are always new enhancements in modern browsers that are exciting, and fresh ways to display content, but using them would sometimes be like setting up a radio station in Antarctica. The penguins don&rsquo;t listen. The trick is to enhance your sites slowly and gracefully, allowing users with older browsers access to your content and giving folks with newer browsers some added benefits.</p>

<p>This begs the question: How far back do you support? This all depends on your audience. If 20% of your traffic is coming from IE5.5, then it would be wise to go back that far (yikes, that would be a nightmare). It ultimately depends on your target audience and your known traffic stats. Sites targeting Mac users have life a smidgeon easier since IE6 is not as much of a threat to their equilibrium (unless they are web devs). Even in this instance however, one must be sensitive to the many people who are still stuck using IE6 at their day jobs and pining away reading about Mac stuff.</p> 
<br />
<p><strong>A recent example...</strong></p>

<a href="http://www.hdsmith.com" target="_blank"><img src="http://www.spokehq.com/ee/images/uploads/hdsmith_thmb.jpg" style="border: 1px solid #D0D0D0; float: left; display: block; margin-left: auto; margin-right: 20px;" alt="image" width="221" height="122" /></a>

<p>In one of our recent builds, <a href="http://www.spokehq.com/work/permalink/h_d_smith/">H. D. Smith,</a> we decided to make use of a couple of different &ldquo;new&rdquo; tricks of the trade: HTML5 and CSS3. There is a bit of geekiness in just wanting to get our hands dirty in the latest trends and familiarize ourselves with them, but even more importantly, we wanted our code to be lean and easy to maintain.</p> 

<p><i><strong>Note:</strong> We&rsquo;re not going to cover HTML5 or CSS3 in depth in this post. Check out the footnotes for some great resources.</i></p> 
<br />
<p><strong>Lighter &amp; Simpler</strong></p>

<p>Although rounded corners and other fancy stuff that is demanded by clients gives designers some added job security, it would behoove all of us to discover how much easier CSS3 makes maintaining/editing two of the biggest drags on our time: Creating content boxes that have both rounded corners and drop shadows. With CSS, you no longer have to use nested divs (as much); crazy hacked together CSS, and other hair-raising tactics. Now with the magic of CSS3 much of that goes away... *poof*. If your clients don&rsquo;t care that IE6,7 & 8 are a little more square, you&rsquo;re golden. So after you&rsquo;ve put together some nicely rounded tabs across the top of the page in your <nav> tag using CSS3 and your client says &ldquo;those are too round&rdquo;, all you have to do is tweak the radius value in the CSS. No images to re-export and FTP over and over. Iterations are now filled with ecstatic joy (almost).</p>
<br />
<img src="http://www.spokehq.com/ee/images/uploads/blog_rounded_shadow.png" style="border: 0; display: block; margin-left: auto; margin-right: auto;" alt="image" width="480" height="68" />

<p><strong>Old skule way:</strong></p>

<p>First, XHTML:</p>

<code>&lt;div class=&ldquo;container1&rdquo;&gt;<br />
&lt;div class=&ldquo;container2&rdquo;&gt;<br />
&lt;div class=&ldquo;container3&rdquo;&gt;<br />
&lt;div class=&ldquo;container4&rdquo;&gt;<br />
&lt;!-- Your content sitting in a rounded container with a sweet dropshadow --&gt;<br />
&lt;/div&gt;<br />
&lt;/div&gt;<br />
&lt;/div&gt;<br />
&lt;/div&gt;</code>
<br /><br />

<p>There are obvious downfalls to this method, particularly when you have to use it repeatedly throughout the layout. It&rsquo;s better than using tables because it&rsquo;s more semantic (&ldquo;div&rdquo; is short for the more generic &ldquo;division,&rdquo; &ldquo;tables&rdquo; are for data) and easier to style, but still not ideal. Not to mention that Google & co. have to sift through all that garbage to find your content... There is a better way, my friends. Keep reading</p>
<br />
<p>Next... Photoshop (or your image editor of choice):</p>

<p>[Chop up imagery, export, ftp… weee!]</p>

<br />
<p>Lastly... CSS:</p>

<p>[Huge amount of CSS trickery goes here along with images and IE6 hacks.]</p>

<p>The upside of using old school CSS is that everybody basically gets the same experience. The downside is that it&rsquo;s a pain in the rear to maintain and manipulate since it&rsquo;s image-based. So every edit to a corner radius or shadow requires another trip to your image editor and FTP client of choice.</p>
<br />
<p><strong>The CSS3 / HTML5 (better) way:</strong></p>

<p>Nice, Google-friendly, semantic HTML5 (simple!):</p>

<code>&lt;section id=&rdquo;main&rdquo;&gt;<br />
&lt;!-- Your content sitting in a rounded container with a sweet dropshadow --&gt;<br />
&lt;/section&gt;</code>

<br /><br />
<p>In H. D. Smith we used an HTML5 <code>&lt;section&gt;</code> tag for the main content, which defines the type of content better than the more generic &ldquo;DIV&rdquo; does <a href="http://seogadget.co.uk/xhtml-20-and-seo/" target="_blank">(better for SEO).</a> I didn&rsquo;t really need an ID here, but I threw one in just to show that you can, and so that if we need to use JS, there&rsquo;s a hook for it.</p>
<br />
<p><strong>CSS3</strong></p>

<p>Though CSS3  requires a little bit of hoop jumping to get it to display properly in a wider array of browsers, dev time pales in comparison to the old method(s).</p> 

<p><code>section#main {<br />
-webkit-border-radius: 12px; /* for webkit browsers like Safari */<br />
-moz-border-radius: 12px; /* for Mozilla browsers */<br />
border-radius: 12px; /* for a day when all things merge into one and a river runs through it */<br />
-webkit-box-shadow: 0 4px 7px rgba(0,0,0,0.4);<br />
-moz-box-shadow: 0 4px 7px rgba(0,0,0,0.4);<br />
box-shadow: 0 4px 7px rgba(0,0,0,0.4);<br />
}</code></p>

<p>You can plainly see that there&rsquo;s extra markup here (the hoop jumping), but even with all that, it&rsquo;s still <i>way</i> easier to maintain than the old way.</p>

<p><i>See the resources at the bottom for a couple of tutorials on Box Shadows and Border Radii where you can see what the CSS markup does.</i></p>


<br />
<p><strong>Plays nicely with others (degrades gracefully)</strong></p>

<p>By &ldquo;degrades gracefully&rdquo; we don&rsquo;t mean that your site will degrade like an old pair of shoes. We mean that when your site is viewed on older browsers AND future browsers, they will still be able to view the content they need to. It&rsquo;s &ldquo;accessible&rdquo;. Nothing is going to break in IE5-8 by using CSS3 to create rounded edges and drop shadows. Why? Because IE treats those styles like the unpopular girl at the prom. So you can use CSS3 to do a lot of nice touch up effects for modern browsers and leave IE to preen around like he owns the place. The joke is on him. (psst... word has it that <a href="http://www.css3.info/microsoft-announces-css3-support-for-internet-explorer-9-ie9/" target="_blank">
IE9</a> will support CSS3.) What would be a BAD idea though is to overdo the CSS3 to the point that the site is a completely different experience or that the branding is too negatively impacted by the lack of CSS3 effects. If you limit it to cosmetics (for now anyway), you shouldn&rsquo;t have any major catastrophes and your sites will load faster, be easier to maintain and look super duper to all the cool people.</p> 

<p>For H. D. Smith, for backwards (IE) compatibility, we included some more essential cosmetic elements as images (old skule way) while using CSS3 for the rest. That balance is not too difficult to strike. Just look around your site and think &ldquo;what is essential to the brand and what isn&rsquo;t?&rdquo; That will be your determining factor. Note: We also included forward compatibility by adding the fancy styles without  &ldquo;-webkit&rdquo; and &ldquo;-moz&rdquo; for the future when these styles are standard for all browsers (*cough* IE *cough*) and don&rsquo;t need the browser-specific declaration.</p>

<p>There are some CSS3 features that might not degrade so gracefully (depending on your layout). One example is <a href="http://www.css3.info/preview/multi-column-layout/" target="_blank">CSS3</a> columns &mdash; using those would definitely throw a wrench into the experience for a lot of users by making it look like your client&rsquo;s site was built by a team of monkeys (no offense to monkeys).</p> 

<br />
<p><strong>Caveat (IE Support)</strong></p>

<p>If you&rsquo;re supporting IE6, you&rsquo;ll have to use a bit of <a href="http://remysharp.com/2009/01/07/html5-enabling-script/" target="_blank">Javascript</a> to make sure your content shows up properly because it doesn&rsquo;t understand HTML5 tags. We&rsquo;re not trying to be snooty, but the fact is that IE6 came out in <a href="http://en.wikipedia.org/wiki/Internet_Explorer_6" target="_blank">2001,</a> so it predates <a href="http://en.wikipedia.org/wiki/HTML5" target="_blank">HTML5 (2004)</a>  by a long shot. The script defines the tags for IE6 and tells it how to display them. With a little conditional comment you can assure that it won&rsquo;t slow down the experience in other browsers. Since H. D. Smith launched we&rsquo;ve noticed that <a href="http://html5shiv.googlecode.com/svn/trunk/html5.js" target="_blank">Google has a hosted js file  you can hotlink to.</a></p>

<br />
<p><strong>Resources:</strong></p>

<p>A Preview of HTML5 by Lachlan Hunt:<br />
<a href="http://www.alistapart.com/articles/previewofhtml5">http://www.alistapart.com/articles/previewofhtml5</a></p>

<p>HTML5 IE enabling script:<br />
<a href="http://remysharp.com/2009/01/07/html5-enabling-script/">http://remysharp.com/2009/01/07/html5-enabling-script/</a></p> 

<p>Progressive Enancement & Graceful Degradation:<br />
<a href="http://accessites.org/site/2007/02/graceful-degradation-progressive-enhancement/">http://accessites.org/site/2007/02/graceful-degradation-progressive-enhancement/</a></p>

<p>Progressive Enhancement with CSS3: A better experience for modern browsers:<br />
<a href="http://dev.opera.com/articles/view/progressive-enhancement-with-css-3-a-be/">http://dev.opera.com/articles/view/progressive-enhancement-with-css-3-a-be/</a></p>

<p>Box Shadows: <a href="http://www.css3.info/preview/box-shadow/">http://www.css3.info/preview/box-shadow/</a></p>  

<p>Border Radius: <a href="http://www.css3.info/preview/rounded-border/">http://www.css3.info/preview/rounded-border/</a></p> 

<p>Super awesome buttons using transparent shadows & gradients (woo!): <a href="http://www.zurb.com/article/266/super-awesome-buttons-with-css3-and-rgba">http://www.zurb.com/article/266/super-awesome-buttons-with-css3-and-rgba</a></p>]]></description>
      <dc:subject></dc:subject>
      <dc:date>2010-03-06T04:25:45+00:00</dc:date>
    </item>

    <item>
      <title>Rikki&#45;Tikki&#45;Tavi</title>
      <link>http://www.spokehq.com/blog/permalink/better_typography/</link>
      <guid>http://www.spokehq.com/blog/permalink/better_typography/#When:02:24:47Z</guid>
      <description><![CDATA[<p><strong>Quick hit:</strong> It seems like a trivial thing. Like the difference between pudding and custard. But to a typographer, and most especially Mac users, you might as well be comparing bath tissue to a Boeing.</p>

<p>I&rsquo;m talking about the use &mdash; and, most often, the misuse &mdash; of tick marks, primes, acute accents, apostrophes and quote marks. We&rsquo;ve encountered a rash of misuse lately and would like to set the record (and our fellow craftsmen) straight. Much has been written on the subject. So, rather than add to the noise, we&rsquo;ve elected to link to two helpful resources:</p>

<p><a href="http://www.creativepro.com/article/typographic-tips-apostrophes-quotation-marks" target="_blank">CreativePro | Typographic Tips: Apostrophes & Quotation Marks</a></p>

<p>And, this web glyph guide which I&rsquo;ve had bookmarked for years: <a href="http://www.webmonkey.com/reference/Special_Characters" target="_blank">Webmonkey | Special Characters Guide</a></p>

<p>Learn it. Live it. Love it.</p>]]></description>
      <dc:subject>Design</dc:subject>
      <dc:date>2010-02-03T02:24:47+00:00</dc:date>
    </item>

    <item>
      <title>Zippity Do Da: A Primer</title>
      <link>http://www.spokehq.com/blog/permalink/technology_for_the_masses/</link>
      <guid>http://www.spokehq.com/blog/permalink/technology_for_the_masses/#When:16:05:55Z</guid>
      <description><![CDATA[<p>This post was inspired recently by watching clients use tools and processes we ourselves take very much for granted: extracting Zipped archives and accessing an FTP server. We do these things every day, but it&rsquo;s only when we observed others did we realize that not everyone understands what these basic (and venerable) technologies are about, let alone manipulate them successfully. So, we decided a simple primer was in order.
</p><p><strong>ZIP FILES</strong></p>

<p><strong>Fundamentals</strong><br />
Zip files are files or folders compressed into a single &ldquo;zipped&rdquo; folder. To access the files in the folder, one must &ldquo;un-zip&rdquo; the folder using special software.  Whether the software is built-in or downloaded, the compressed file must first be saved on your computer (preferably on the desktop for easy access) before it can be un-zipped.
</p>
<p><strong>Tools</strong><br />
<i>Built-in</i><br />
Most computers come with compression software built-in.<br />
<ol>
<li>Save the .zip file to your desktop</li>
<li>Right-click on the zip file</li>
<li>Click on Extract All</li>
<li>In the Extraction Wizard, click Next and then Next again to start un-zipping the file</li>
<li>Click Finish</li>
</ol>
The extracted or un-zipped file will be similarly named and capable of opening now.
</p>
<p>Apple&rsquo;s Mac OS X has built-in zipping capability that is even easier to use.</p>
<p><i>WinZip</i><br />
If you don&rsquo;t have that built-in capacity, you can download the most popular compression software, WinZip (<a href="http://www.winzip.com" target="_blank">www.winzip.com</a>), which has both free and paid versions.<br />
<ol>
<li>Right click on the zip file</li>
<li>Click on WinZip and then on Extract to Folder</li>
</ol>
WinZip will extract or unzip the files for your access.
</p>


<hr style="height: 1px;"></hr>


<p><strong>FTP</strong></p>

<p><strong>Fundamentals</strong><br />
FTP or File Transfer Protocol is the universal way to manage and transfer files from anywhere using the internet. One can do so via their internet browser or via free (and many paid), downloadable software. We&rsquo;ll discuss a few of the popular options below in Tools.  
</p>
<p>Whichever tool you use to access the FTP server, you will need the following bits of information:<br />
<ul>
<li>Host/server – It will either be a name, i.e. ftp://domain.com or an IP (i.e. 11.22.33.44).</li>
<li>Username/login – user or user@ domain.com</li>
<li>Password</li>
</ul>
This information should have been supplied to you from the server administrator.
</p>
<p><strong>Tools</strong><br />
<i>Transmit (for Mac)</i><br />
Transmit ($29.95, free trial) is an FTP application for Mac users. You can download it from <a href="http://www.panic.com" target="_blank">www.panic.com.</a> Once installed, follow these simple instructions to get it set up:<br />
<ol>
<li>Click on the Favorites button</li>
<li>Click on the plus (+) sign under the Collections column to create a new favorites folder.</li>
<li>Click on the plus (+) sign under the Name column to create a new favorite under the folder you just set up.</li>
<li>Enter the settings for your FTP account.</li>
<li>Click the OK button to save your connection settings.</li>
</ol>
The connection should now be in your list of favorites. To connect and manage your FTP files, simply double click the connection.
</p>
<p><i>SmartFTP (for PC)</i><br /> 
SmartFTP is a free FTP client that can be downloaded from <a href="http://www.smartftp.com" target="_blank">www.smartftp.com.</a> Once installed, do the following to setup and access the FTP server:<br />
<ol>
<li>Click File and then New Remote Browser</li>
<li>In the New Remote Browser pop-up window, enter the FTP server settings.</li>
<li>Click the OK button.</li>
</ol>
The FTP client should then successfully connect to the server where you can view, download or upload files.
</p>
<p><i>Browser-based FTP</i><br />
<ol>
<li>In the address bar of a browser (such as Firefox), type in the FTP server address. (Note: It will look similar to ftp://username@domain.com or ftp://ftp.domainname.com)</li>
<li>Enter the username and password in the resulting pop-up window.</li>
</ol>
The browser should list the files and folders on the FTP server.<br />
</p>
<p><i>Alternatives to sharing large files</i><br />
To share large files for a certain amount of time, try:<br />
<a href="http://www.box.net" target="_blank">www.box.net</a><br />
<a href="http://www.senduit.com" target="_blank">www.senduit.com</a><br />
<a href="http://www.streamfile.com" target="_blank">www.streamfile.com</a></p>
<p>Find more alternatives <a href="http://www.hongkiat.com/blog/15-great-free-online-file-sharing-alternatives/" target="_blank">here.</a>
</p>
<br />]]></description>
      <dc:subject>Guest Bloggers, Technology</dc:subject>
      <dc:date>2010-01-09T16:05:55+00:00</dc:date>
    </item>

    <item>
      <title>Building a Proper B2B Web Presence</title>
      <link>http://www.spokehq.com/blog/permalink/building_a_proper_b2b_web_presence/</link>
      <guid>http://www.spokehq.com/blog/permalink/building_a_proper_b2b_web_presence/#When:17:47:28Z</guid>
      <description><![CDATA[<p><i><strong>Editor&rsquo;s Note:</strong> Spoke heartily welcomes winggrrrl and digital diva, <a href="http://www.twitter.com/janeile" target="_blank">Janeile Cudjoe,</a> who provides us with solid fundamentals for crafting your B2B web presence.</i></p>

<p><i>When not consulting to clients through her very own Zig !t Marketing, Janeile can be found blogging on the virtues of Web 2.0 at <a href="http://janeile.com/" target="_blank">Janeile.com</a></i></p>

<p>
</p><hr style="height: 1px;"></hr><p>It seems obvious why a proper web presence is necessary for a B2C operation. Their consumers are internet savvy online shoppers who have multiple reasons for whether or not they choose your business or not.  However, a B2B company is somehow viewed differently.  For some reason, their clientele is viewed as the traditional, white-shirt-black-tie types who rarely go online because they are too busy making things HAPPEN in the real world.  Many B2B companies continue on with no or, even worse, a poor web presence that is not only dated, but boring and unhelpful.  The fact that they can get by and still survive only reinforces the myth that a good web presence is not needed.  The truth is that having a web presence that is dynamic, vibrant and on par with B2C Web 2.0 sites is beneficial in myriad ways such as increasing authenticity, brand assets, thought leadership and client relations.</p>  

<p><strong>Authenticity</strong><br />
<p>Does anyone outside of your B2B operation know what your company is really like?  Does your website clue anyone in to what you <i>really</i> do outside the context of overused phrases like &ldquo;world-class&rdquo; scattered about your site like a crime scene?  Having a proper web presence means pulling back the curtain to the <i>real</i> you and giving your audience the opportunity to engage. Gone are the days when people were satisfied with talking to the nondescript &lsquo;sales@b2bcompany .com&rsquo;.  Get rid of the glamour-shot, air-brushed, politically-correct website and get your picture taken sans makeup. If your smile is genuine, people will pay attention.</p>

<p>I know what you&rsquo;re thinking – that this is all swell and dandy for B2C types, but not for B2B.  As Rick Burnes of HubSpot said recently, <a href="http://blog.hubspot.com/blog/tabid/6307/bid/5303/Why-Doesn-t-Social-Media-Work-for-Traditional-B2B-Marketers-Because-They-re-Traditional-B2B-Marketers.aspx" target="_blank">&ldquo;Lame excuse.&rdquo;</a>  Authenticity in business is important because people like to work with real people.  The idea that you&rsquo;re somehow selling to a business and not a human being is ridiculous.  Never forget that you&rsquo;re not only targeting real people, but that your business needs to come across as a real entity too and not just some big nameless, faceless machine.</p>

<p><strong>Leveraging Brand Assets</strong><br />
<p>An online platform introduces a new channel to re-purpose content used in other marketing initiates and vice versa.  The unanimous call online is that content is king. A deep fear of businesses everywhere is the time needed to generate that content.  However, many already have access to great content &mdash; in offline marketing channels. If your marketing department is busting out fresh, engaging content for traditional media platforms on a regular basis, why not use some of that online to expand your reach and get more bang for the buck? Just be sure to optimize your content for the online reader, and use your analytics engine to discover what&rsquo;s important to readers before refining your offerings.</p> 

<p>Good content serves to increase positive brand equity. Think of it as another piece to the puzzle &mdash; one that supports all marketing channels.</p>


<p><strong>Thought Leadership</strong><br />
<p>If someone Googled your company today, what would they find?  A disgruntled employee?  A blank space where you should be?  Or would they find content generated by your employees, and satisfied clients that set you apart as an industry leader? Okay, so maybe you&rsquo;re not as big as Google and everything you say doesn&rsquo;t come straight from the mountaintop on two stone tablets, but it doesn&rsquo;t mean that you have no chance at being a leader in your field of expertise.  We can all agree that our B2B enterprise should be known for something.  So the question becomes, &ldquo;What will it be known for online&rdquo;?  Something about your business will be found there; you have a chance to craft that in a positive way.</p>  

<p>Thought leadership ties directly to leveraging your brand assets.  If you have great content elsewhere and can re-purpose that content on the web, the chances of it getting around are not only better but will also add positively to your brand reputation.  Craft your message carefully because labels fly fast and furious online. Develop content that is interesting and unique, and don&rsquo;t forget to engage with those in your industry who are discussing related topics.  In the Web 2.0 world, online engagement  &mdash; with a point of view &mdash; adds to your reputation.</p>

<p><strong>Customer Support/Client Relations</strong><br />
<p>A proper web presence is going to boost your relationship with your clients. How?  Have you ever been to a company website and felt uneasy about working with them because their site looked like it was built by the owner&rsquo;s thirteen-year-old nephew who built it in exchange for an iPhone?  Just as first impressions are important in real life meetings, so are the ones made online.  A professional, first impression online is imperative to breaking the ice for prospective clients.</p>	

<p>Secondary steps to developing good client relations can include having an FAQ page to address prospect&rsquo;s questions, or live chat manned by your own staff.  More subtle approaches may take the form of white papers and webinars, or addressing customer concerns and questions through social media platforms, including comments made on your corporate blog.</p>

<p>You <i>do</i> have a corporate blog, <i>don&rsquo;t you?</i></p>

<p>The name of the game is interaction, and this requires listening.  You cannot develop a healthy relationship with clients without it. Your B2B company already does this offline; take it to the next level and make your web presence a relational experience.</p>

<p><strong>Conclusion</strong><br />
<p>The web is not just a playing field for B2C and ecommerce businesses, and it&rsquo;s not just a platform to leave outdated content or plant one-way &ldquo;look-at-me!&rdquo; communication.  Think of your B2B web presence as a living organism. It needs to make a good impression, listen, be authentic and leverage its brand assets to become a thought leader in your industry. It should integrate with existing marketing endeavors offline so that they compliment each other.  The days of just getting by on a passive, boring or nonexistent web presence are over.  Your clients are online whether you believe it or not, and they&rsquo;re looking for authentic, valuable and actionable resources. If your online properties don&rsquo;t offer that, someone else&rsquo;s will.</p>]]></description>
      <dc:subject>Guest Bloggers, Marketing</dc:subject>
      <dc:date>2009-12-29T17:47:28+00:00</dc:date>
    </item>

    <item>
      <title>Death and Access</title>
      <link>http://www.spokehq.com/blog/permalink/death_and_access/</link>
      <guid>http://www.spokehq.com/blog/permalink/death_and_access/#When:02:50:57Z</guid>
      <description><![CDATA[<p><i><strong>Editor&rsquo;s Note: </strong>Halloween. All Saints Day. El Día de los Muertos. The last three days of macabre celebrations have us contemplating not just our own lives after death, but the fate of our digital lives as well. What happens to our electronically connected self when our physical one, well&#8230;disconnects? Spoke friend and Vice Mayor of <a href="http://www.cloudcitydigital.com/" target="_blank">Cloud City Digital,</a> <a href="http://twitter.com/cloudcity" target="_blank">Stephen Jenkins</a> shares some practical advice to help ensure your data is handled with care, post-mortem.</i></p>

<hr style="height: 1px;"></hr><p>It is a precious few of us who ponder life&rsquo;s only truly inevitable milestone &mdash; its end. And of those there must be even fewer who think beyond the immediate needs of our families upon our untimely demise (is there such a thing as a timely demise?).</p>

<p>The scene is typical of television dramas: A grieving eldest son distributes the prized possessions of a beloved father recently deceased. The collection of fine paintings, bequeathed to William Jr., the rare books handed down to sister Elizabeth. But what of the iTunes collection? Will the blog be shut down? What about the Twitter followers? The Facebook friends? The LinkedIn connections? Can you bequeath these kinds of things?</p>

<p>Made for TV movies aside, informal observation reveals that most of our personal effects are less likely to be kept in a safe or a security deposit box, and instead take the form of digital assets like emails, chat transcripts, research documents, multimedia files, and financial records.</p>

<p>The importance of these various digital sundries varies of course, from the mundane yet practical (car insurance renewal confirmation), to the amusing (self portraits with an iPhone), to highly personal items replete with sentimental value (personal emails). Regardless of their practical value, these items were part of someone&rsquo;s life, and should be treated with the same care and respect that their physical belongings would be given.</p>

<p>The recent rise in a viable marketplace for digital assets also raises some interesting questions. An MP3 collection may potentially possess some sentimental value, but it may also possess a sizable monetary value. Assuming the purchase of one album or movie per week from Apple&rsquo;s iTunes Store, a person who had been purchasing music for 5 years would have amassed a collection worth nearly $3,000. Upon their death, what happens to these files? Can ownership be transferred to a family member, or does the collection remain intact but locked away in perpetual silence under a thin layer of <a href="http://www.eff.org/issues/drm" target="_blank">DRM?</a></p>

<p>Similarly, in a world where we belong not only to the community that we live and work in, we increasingly belong to online communities that mirror in many ways the personal interactions and affiliations of the physical world. In the event of a community member&rsquo;s death, what happens to their persona? One day they are posting their list of <a href="http://www.imdb.com/title/tt0050976/" target="_blank">ten best foreign films</a> or photos of their vintage typewriter collection, and the next day they are gone. Presumably their friends and family in the physical world (I&rsquo;m avoiding the word &ldquo;real&rdquo;, which implies a lesser experience online) will have knowledge of their passing, and begin the grieving process, but in their online worlds has the person simply disappeared? In case of high profile members, the online community at large may know their real name and begin a search for them via traditional channels, but many community members remain essentially anonymous and their sudden disappearance leaves many questions unanswered. Would the deceased want the community notified? Is there a final message for them? Should email accounts be closed down, or left active, set to bounce the email back to the sender with a startling yet informative message?</p>

<p>Are there any practical answers, or are our digital existences destined to a life in limbo when our bodies have been laid to rest? I would suggest the following steps to ensure that your preferences are respected:</p>

<ul>
<li>Take an accounting of all your digital assets and online accounts, note any applicable logins and passwords.</li>

<li>Decide who you&rsquo;d like to have access to these things.</li>

<li>Decide what you&rsquo;d like done with them after you have died. Deleted, updated, shared, etc.</li>
</ul>

<p>Once you have decided these things, you can proceed in a few ways. First, you can draft a physical document, which could be appended to your will. This document could specify the particulars of the three steps above, but more importantly, it could name a digital executor who would be responsible for carrying out your final wishes. This individual should be both technically competent and trustworthy, as you will be granting them access to your digital world in absentia. Your instructions to them could be as simple as shutting down all accounts and erasing your hard drive, or it could detail which email folders were shared with whom, and which photos be made available on Flickr as a final goodbye.</p>

<p>Another route would be to leverage technology to achieve the same result without the need for a lawyer&rsquo;s involvement. <a href="http://Deathswitch.com" target="_blank">Deathswitch.com</a> is a web site that offers a service they describe as &ldquo;Information Insurance&rdquo;. It works as follows: One enters their list of desired contacts along with their email addresses, then they create a message containing the kind of account information discussed above. Next, a time interval is set. It could be once a day, it could be once a year. If the user does not log into the site during the specified interval, indicating that they are alive, the system will automatically send out their message to the people on their list. I cannot vouch for the security or functionality of this service (now that I think of it, can anyone?) which costs $20 a year to maintain, but in theory it is a practical approach to the dilemma of sharing information in the case of an unexpected (or perhaps expected) death with friends, family, and co-workers, all of which can receive custom messages. Just don&rsquo;t forget to log in, or you, very much alive, may find yourself having to explain why half of your work email consists of fantasy baseball updates and why the password to your Facebook account is &ldquo;ihearttwilight&rdquo;.</p>

<p>Regardless of the approach you take to safeguarding the future of your digital life, it is important that you give some thought to it. Get organized, make a plan, and then live your life to the fullest, knowing that your digital afterlife is safe and sound.</p>

<hr style="height: 1px;"></hr>

<i>Lead on, spirit! <a href="http://mashable.com/2009/10/26/facebook-memoralized-profiles/" target="_blank">Read</a> how Facebook is dealing with the subject of &ldquo;dead data.&rdquo</i>

<br /><br />]]></description>
      <dc:subject>Commentary, Guest Bloggers, Technology</dc:subject>
      <dc:date>2009-11-03T02:50:57+00:00</dc:date>
    </item>

    <item>
      <title>Font is a Four Letter Word.</title>
      <link>http://www.spokehq.com/blog/permalink/font_is_a_four_letter_word/</link>
      <guid>http://www.spokehq.com/blog/permalink/font_is_a_four_letter_word/#When:16:17:12Z</guid>
      <description><![CDATA[<p>Recently, a client of ours sent us a logo they themselves had designed for an internal side project. It was a clean logotype treatment with a couple requisite mnemonic devices to give it some flavor. A worthy effort, but we knew we could make it sing.</p> 

<p>&ldquo;What&rsquo;s wrong with it?&rdquo; asked an incredulous marketing head. &ldquo;There&rsquo;s nothing wrong with,&rdquo; we soothed. &ldquo;But it&rsquo;s a &lsquo;6&rsquo; or &lsquo;7&rsquo; on a scale of &lsquo;10,&rsquo; and we&rsquo;d like to make it a true &lsquo;10&rsquo; for you.&rdquo;</p>

<p>&ldquo;Well, I like the font I picked, so can we stick with that?&rdquo; she asked.</p>

<p>We recognized the font almost immediately. &ldquo;Where did you get this?&rdquo; we fished. &ldquo;What&rsquo;s it called?&rdquo;</p>

<p>&ldquo;It&rsquo;s called &ldquo;Swatch It.&rdquo; I downloaded it for free.&rdquo;</p>

<p>Uh oh.</p>

<p>What our well-intentioned benefactress had found was a <a href="http://www.dafont.com/swatch.font" target="_blank">free font</a> based on the internationally recognized, and beloved-by-many Swatch AG  (Swiss Watches) <a href="http://images.google.com/images?client=safari&rls=en&q=swatch+logo&oe=UTF-8&um=1&ie=UTF-8&ei=gCLnStjgLIzkMNzYlbAI&sa=X&oi=image_result_group&ct=title&resnum=1&ved=0CBMQsAQwAA" target="_blank">logo.</a> This explained why it was free. The designer himself knew he was entering muddy legal waters. The poorly rendered characters and lack of kerning pairs, hinting, balancing and other niceties that are hallmarks of a professionally produced font further ensconced it amongst the poorer quality, unlicensed, gray market types so often (not always) distributed for nothin&rsquo;. You get what you pay for.</p>

<p>Now, to be fair to the <a href="http://www.dafont.com/samuel-park.d177" target="_blank">designer</a> of Swatch It &mdash; he&rsquo;s not making so much as a Swiss franc from this font. It&rsquo;s clearly a free download, and the albeit limited licensing terms state that it is &ldquo;Free for personal use.&rdquo; This should be an obvious red flag to anyone who intends to use this and similar fonts, especially for commercial purposes. But, like software (and a computerized font <i>is</i> a piece of software), the end user licensing agreements <a href="http://en.wikipedia.org/wiki/Software_license_agreement" target="_blank">(EULA)</a> go largely ignored by most users.</p> 

<p>We explained the inherent problems to our client:</p>

<ul>
<li>The font is based on an existing, copyrighted logomark. Although some courts might classify the font as a &lsquo;derivative work,&rsquo; the buttoned-up (and always punctual) legal counsel at Swatch could easily tie up the font designer <i>and</i> our client on Swiss home turf. We hear Bern is chilly this time of year &mdash; <i>brrrrr.</i></li>
<li>Using a typeface that is so closely tied to a well-known and recognized company is never a good idea. Unless you&rsquo;re creating a <a href="http://www.underconsideration.com/wordit/archives/branding/0407-branding-Felix-Sockwell.php" target="_blank">visual parody,</a> it&rsquo;s best to steer clear. Be unique.</li>
</ul>

<p>It took little effort to convince her that we needed to start with a clean slate and develop the logo using a &ldquo;proper&rdquo; font. But, the situation <i>did</i> raise some nagging questions for <i>us</i>. Specifically, how does a designer, marketing VP or <a href="http://www.youtube.com/watch?v=PFaO0ALa0Hc" target="_blank">alpenhorn player</a> learn how to legally purchase, download and use a font? Any font. Are we breaking the law by redesigning our client&rsquo;s mark using any typeface we choose, even if it was purchased?</p>

<p>Combing through the <a href="http://directory.serifmagazine.com/Ethics_and_Law/Copyright/judgement.php4" target="_blank">arcane legalities</a> that surround font design and licensing helped us cobble together some simple rules:</p>

<ul>
<li>Always purchase for-sale fonts before using them. Don&rsquo;t &ldquo;borrow&rdquo; fonts and don&rsquo;t use font preview services to patch together your logo for final use.</li>
<li>Contact the type foundry and/or designer you purchased and/or (if it&rsquo;s a free font) downloaded the typeface of your choice from and ask to have them clarify their licensing agreement for you. Explain what it is you want to do with the font, and listen closely to their response. In fact, write their response on a printed copy of their EULA, date it and record who you spoke with. Keep it on file. Stay clear of free fonts for commercial use unless the licensing terms explicitly state they may be used for your intended purpose.</li>
<li>Don't share or borrow fonts unless the EULA indicates if and how you may do so.</li>
<li>When crafting a logo or logotype, alter the typeface slightly. Many designers already do this in order to create a unique mark, but this practice has the added benefit of carrying your design through some legal loopholes. Most font licenses allow you to use converted outlines for things like logos. If you don&rsquo;t wish to alter the characters, set them as you want, kern them, take a screen shot of the final arrangement, then trace the type using your own points and bezier curves. Cumbersome? Yes.</li>
</ul>

<p>Final word: If someone asks, &ldquo;Can we get sued for this?&rdquo; the answer is ALWAYS &ldquo;maybe.&rdquo;</p>

<p><a href="http://en.wikipedia.org/wiki/Trust,_but_verify" target="_blank">&ldquo;Doveryai, no Proveryai.*&rdquo;</a></p>
<hr style="height: 1px;"></hr>
<p><i>Does all this reading about fonts make you want to read more about fonts? Us too. <a href="http://www.zeldman.com/2009/10/27/web-fonts-real-type-on-the-web-design-typography-fonts-webdesign/" target="_blank">Feed your font goat his fill.</a></i></p>

<p><i>*We couldn't find a Swiss proverb with the same sentiment. Cut us some slack, would ya?</i></p>
<br />
<br />]]></description>
      <dc:subject>Branding, Design</dc:subject>
      <dc:date>2009-10-27T16:17:12+00:00</dc:date>
    </item>

    <item>
      <title>Deus ex machina.</title>
      <link>http://www.spokehq.com/blog/permalink/binary_logic/</link>
      <guid>http://www.spokehq.com/blog/permalink/binary_logic/#When:16:00:54Z</guid>
      <description><![CDATA[<p><i><strong>Editor&rsquo;s Note:</strong> Spoke friend and multimedia virtuoso (think modern Renaissance man, truly) Steve Mockensturm sidesteps the usual &ldquo;shop talk&rdquo; in lieu of existentialist thoughts on the machines that use us, er&#8230; we use. These ideas resonate and compel us to ask deeper questions about the often perverse marriage between our real and virtual worlds. The answers are hard to come by, let alone (at times) uncomfortable to consider.</i></p>

<p><i>When not tending his garden, Steve cultivates wisdom as <a href="http://twitter.com/boonhogganbeck" target="_blank">@boonhogganbeck</a> on Twitter, and digs in the dirt daily at <a href="http://www.madmadmad.com/" target="_blank">Madhouse.</a></i></p>

<p>
</p><hr style="height: 1px;"></hr><p><i>&ldquo;When you come to a fork in the road... take it!&rdquo;</i>  &mdash; Yogi Berra</p>

<p>At a most fundamental level, our computers are simple and not smart at all. They can only do one, solid thing; make a determination as to whether something is true or false. That&rsquo;s all a computer has ever been able to do. It&rsquo;s a binary, boolean world where everything is, at its core, a decision between a one and a zero, on or off, thing or not-thing.</p>

<p>Furthermore, this sophisticated <a href="http://en.wikipedia.org/wiki/Difference_engine" target="_blank">Difference Engine</a> can only make these logical decisions one-at-a-time. Though the speed of decisions is impressive and things may appear to happen at the same time, the basic event stream of any given protocol cannot proceed until a decision &mdash; the only decision &mdash; is made: Does this request evaluate this way or that way?</p>

<p>The beat, the drummer, the traffic cop that keeps all these decisions organized is a simple clock running at a ridiculous speed. Choices are made between the ticks. For example, this piece is being written on a device that can make roughly 5.6 billion logical decisions per second. That&rsquo;s how it works.</p>

<p>We can think of life this way sometimes. Though we are not Vulcans and we often hear, &ldquo;It&rsquo;s not a black and white world,&rdquo; it sort of is. You are not here, you are there. Light is not dark, hot is not cold, good is not evil and Marvel is not DC. Our entire planet is quite literally bipolar and as technology marches apace, it is no small coincidence the human condition seems more and more polarized. We don&rsquo;t appear to get along with each other as we used to. Our differences dictate behavior more than our similarities. Us and them. Binary logic.</p>

<p><a href="http://en.wikipedia.org/wiki/Luddite" target="_blank">Luddites</a> and other critics of technology might argue the economics of dominion that technology facilitates, but the bigger fear may as well be: Are humans losing the capacity to determine shades of gray? Nuance seems dead as we begin to emulate &mdash; though at a comparatively sloth-like pace - the devices we cannot seem to live without. You must either be for something or against something, but you cannot be both.</p>

<p>Apparently &mdash; even with crazy-fast computing &mdash; concepts of kindness, fear, belief, wisdom and love are impossible to discern with simple true or false decisions. But this may not always be so. Though the brain is mysterious and complex, it is &mdash; logic would dictate &mdash; of limited capacity. There is only so much stuff up there making decisions, and &mdash; just like the difference engine &mdash; we can really only think of one thing at-a-time.</p>

<p>Enter the world of quantum computing, true asynchronous processing and circuits that communicate with light rather than crude, charged electrons running through a piece of silicon. Someday &mdash; sooner than later &mdash; logical decisions will be evaluated persistently and at the speed of thought.</p>

<p>It appears the gap is closing from both sides. As computing power increases and creeps toward analogous thought through quantum physics and light speed transactions, human power seems ever nudged toward simple binary transactions. Science Fiction has posited more than once that existence is merely an extremely advanced digital experience.</p>

<p>Maybe that&rsquo;s why we have a tendency to anthropomorphize everything. We are shocked when hearing that robots have learned to lie. Delighted when a houseplant posts a comment to a blog saying it needs water. We tend to make comments like, &ldquo;My computer thinks...&rdquo; when, in fact, all these things are just devices doing what they were programmed to do.</p>

<p>Perhaps binary logic is an ancient part of human nature just now being thrown into the light and we are more like the difference machines &mdash; and they like us &mdash; than we&rsquo;d care to admit. Doing what we&rsquo;re programmed to do. We might do well to re-examine choice and free will and what makes something right or wrong. Life is nothing, if not perpetual observation and processing of data and no decision we can ever make is more fundamental than a yes or a no.</p>

<p>True?</p>
<br />
<p><small><i>© 2009 Stephen Mockensturm, some rights reserved.</i></small></p>]]></description>
      <dc:subject>Commentary, Guest Bloggers, Technology</dc:subject>
      <dc:date>2009-09-15T16:00:54+00:00</dc:date>
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